MARC details
| 000 -LEADER |
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| fixed length control field |
02892cam a2200373Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1004500878 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220622113522.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
170418s2017 enka b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017479159 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1911408127 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781911408123 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1004500878 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
OSU |
| -- |
OCLCF |
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UAB |
| -- |
UBY |
| -- |
EYM |
| -- |
DLC |
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UKTTE |
| -- |
U3G |
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AVA |
| -- |
OCL |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-uk--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NX650.T74 |
| Item number |
P39 2017 |
| 080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER |
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| Universal Decimal Classification number |
(41)7.047 PAY |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Payne, Christiana, |
| Relator term |
author. |
| 9 (RLIN) |
77918 |
| 245 10 - TITLE STATEMENT |
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| Title |
Silent witnesses : |
| Remainder of title |
trees in British art, 1760-1870 / |
| Statement of responsibility, etc |
Christiana Payne. |
| 264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
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| Place of publication, distribution, etc |
Bristol : |
| Name of publisher, distributor, etc |
Sansom & Co, a publishing imprint of Redcliffe Press Ltd, |
| Date of publication, distribution, etc |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
192 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
27 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references (pages 184-188) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Miscellaneous information |
One. |
| Title |
The Tree in the Landscape and in the Imagination: 1760 -- 1870 -- |
| Miscellaneous information |
Two. |
| Title |
The Tree in Patrician Culture: 1760 -- 1800 -- |
| Miscellaneous information |
Three. |
| Title |
Woodland Anatomy: The Drawing of Trees -- |
| Miscellaneous information |
Four. |
| Title |
`Idolatry with Some Excuse': Portraits of Remarkable Trees -- |
| Miscellaneous information |
Five. |
| Title |
The Pleasures of the Woods -- |
| Miscellaneous information |
Six. |
| Title |
Exotic Trees: A Taste of Paradise -- |
| Miscellaneous information |
Seven. |
| Title |
John Ruskin and the Pre-Raphaelite Tree: 1840 -- 1870. |
| 520 8# - SUMMARY, ETC. |
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| Summary, etc |
In the eighteenth and nineteenth centuries, naturalists, poets and artists were united in their love of trees. William Gilpin began his influential 'Remarks on Forest Scenery' (1791) with the bold statement that 'It is no exaggerated praise to call a tree the grandest, and most beautiful of all the productions of the earth.' Illustrated books and tree portraits celebrated the beauty, antiquity and diversity of individual, and particularly ancient specimens. A wide range of drawing manuals showed artists and amateurs how to express their 'character' and 'anatomy', as if they were human subjects. Paintings of woodland scenes provided welcome relief from city life, and studies of exotic trees reflected the growth of tourism and empire. The arrival of new species from all over the world aroused much excitement and scientific activity. At the same time, the native trees - oak, ash, beech, elm - acquired new resonance as emblems of the rural countryside. Many of Britain's most important landscape painters, including Paul Sandby, John Constable, Samuel Palmer, Edward Lear, and the Pre-Raphaelites, made themselves experts in the drawing and painting of trees. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Trees in art. |
| 9 (RLIN) |
77919 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Drawing, English |
| Chronological subdivision |
18th century. |
| 9 (RLIN) |
77920 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Drawing, English |
| Chronological subdivision |
19th century. |
| 9 (RLIN) |
77921 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Painting, English |
| Chronological subdivision |
18th century. |
| 9 (RLIN) |
77922 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Painting, English |
| Chronological subdivision |
19th century. |
| 9 (RLIN) |
77923 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, British |
| General subdivision |
Themes, motives. |
| 9 (RLIN) |
77924 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
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| h (OCLC) |
HELD BY WUY - 37 OTHER HOLDINGS |